‘Adhi Dha Surprise’ to cut its vulgar moments?

The recently released song “Adhi Dha Surprisu” from the upcoming film “Robinhood” has sparked heated discussions. Featuring actress Ketika Sharma, the song has come under fire for its suggestive choreography and lyrics, with many criticizing it as vulgar and objectifying towards women.

Social media platforms have been flooded with demands to ban the song, as users express discontent over its portrayal of women and provocative dance moves. The controversy has reignited the ongoing debate about the portrayal of women in Tollywood item numbers.

Telangana Women’s Commission issues a warning

The matter has now reached the Telangana State Women’s Commission. Chairperson Sharada Nerella recently issued a press release stating that the commission had received multiple complaints about the song’s dance steps, which were deemed vulgar and demeaning to women.

Directed by Venky Kudumula, Robinhood stars Nithiin and Sreeleela in the lead roles and is set to hit theaters on March 28. However, as the debate intensifies, the filmmakers have yet to respond to the backlash surrounding “Adhi Dha Surprisu.” It remains to be seen whether they will edit or remove the controversial segments from the song.

Ketika Sharma unfazed by criticism

Composed by GV Prakash Kumar, “Adhi Dha Surprisu” marks Ketika Sharma’s first item song. Known for her bold on-screen presence, Ketika embraced the opportunity to showcase her glam avatar. However, a particular dance step—where she pulls her skirt forward in a suggestive manner—has drawn heavy trolling.

Despite the criticism, Ketika continues to post dance reels on Instagram, seemingly unfazed by the controversy. In fact, she appears to be leveraging the buzz around the song to gain more followers and boost her film career.

Tollywood’s ongoing ‘vulgar dance’ debate

This isn’t the first time suggestive dance choreography in Tollywood has sparked outrage. Earlier this year, Nandamuri Balakrishna’s film Daaku Maharaaj faced similar backlash over the song “Dabidi Dabidi.”

In the song, Balakrishna was seen slapping Urvashi Rautela on her buttocks and pulling her dress by the belt—a sequence that many deemed inappropriate. Despite the criticism, Urvashi capitalized on the song’s popularity, even sharing a rehearsal video that amassed 16 million views.

As concerns over ‘objectionable’ dance moves in Telugu cinema grow, the industry faces mounting pressure to reconsider how women are portrayed in commercial songs. Will filmmakers take corrective measures, or will they continue to push the boundaries in the name of entertainment?